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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Performing Music Research
Aaron Williamon, Jane Ginsborg, Rosie Perkins, et al.
Oxford University Press eBooks (2021)
Closed Access | Times Cited: 51

Showing 26-50 of 51 citing articles:

Empatía y liderazgo del director musical, competencias clave en la motivación de coros juveniles
Salvador Oriola Requena, Diego Calderón-Garrido, Josep Gustems Carnicer
REVISTA INTERNACIONAL DE EDUCACIÓN MUSICAL (2023) Vol. 11, Iss. 1, pp. 3-12
Open Access
Investigating trainee instrumental/vocal teachers’ perceptions of dialogic teaching: an exploratory study
James Poole, Naomi Norton
Frontiers in Education (2023) Vol. 8
Open Access
Music as Critical Social Theory: Developing Intersectional Feminist Praxis Through Music in Aotearoa (New Zealand)
Bonnie-Estelle Trotter-Simons
(2023)
Open Access
Rethinking Brahms

Oxford University Press eBooks (2022)
Closed Access
Specters and “Derangements”
Edward Venn
Oxford University Press eBooks (2022), pp. 396-412
Closed Access
Copyright Page

(2022), pp. iv-iv
Closed Access
Introduction
Nicole Grimes, Reuben Phillips
Oxford University Press eBooks (2022), pp. 1-4
Closed Access
Compositional Range versus Compositional Ideal Type
Peter H. Smith
Oxford University Press eBooks (2022), pp. 249-277
Closed Access
Rehearing Brahms’s Late Intermezzi
Tekla Babyak
Oxford University Press eBooks (2022), pp. 142-155
Closed Access
Images, Monuments, Constructs
Wolfgang Sandberger
Oxford University Press eBooks (2022), pp. 301-318
Closed Access
The Transmission and Reception of Courtly Love Poetry in Late Folksong Settings by Johannes Brahms, Friedrich Wilhelm Arnold, and Wilhelm Tappert
Loretta Terrigno
Oxford University Press eBooks (2022), pp. 110-141
Closed Access
Brahms’s Serious Songs in the Orchestral Imagination
Frankie Perry
Oxford University Press eBooks (2022), pp. 357-374
Closed Access
Brahms in the Schumann Library
Reuben Phillips
Oxford University Press eBooks (2022), pp. 7-C1.F5
Closed Access
“Aimez-vous Brahms?”
Daniel Beller‐McKenna
Oxford University Press eBooks (2022), pp. 341-354
Closed Access
Joachim and Brahms in the Spring and Summer of 1853
Katharina Uhde
Oxford University Press eBooks (2022), pp. 156-176
Closed Access
About the Companion Website

(2022), pp. xvii-xviii
Closed Access
Doesn’t Play Well with Others
Anna Scott
Oxford University Press eBooks (2022), pp. 177-192
Closed Access
Hearing and Seeing Brahms’s Harps
Jane Hines
Oxford University Press eBooks (2022), pp. 70-88
Closed Access
First-Theme Syntax in Brahms’s Sonata Forms
Julian Horton
Oxford University Press eBooks (2022), pp. 195-228
Closed Access
Brahms and the Unreliable Narrative
Janet Schmalfeldt
Oxford University Press eBooks (2022), pp. 91-109
Closed Access
Settling for Second Best
David Brodbeck
Oxford University Press eBooks (2022), pp. 56-69
Closed Access
Johannes Brahms, Connoisseur of Graphic Arts
Styra Avins
Oxford University Press eBooks (2022), pp. 25-55
Closed Access
Templates of Grief
Martha Sprigge
Oxford University Press eBooks (2022), pp. 319-340
Closed Access
Intentional Transgressions
Frank Samarotto
Oxford University Press eBooks (2022), pp. 278-298
Closed Access
Notes

(2022), pp. 413-508
Closed Access

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