OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!
If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.
Requested Article:
Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music
S. Hudson
Music Theory Spectrum (2021) Vol. 44, Iss. 1, pp. 121-140
Closed Access | Times Cited: 12
S. Hudson
Music Theory Spectrum (2021) Vol. 44, Iss. 1, pp. 121-140
Closed Access | Times Cited: 12
Showing 12 citing articles:
Syncopation as Probabilistic Expectation: Conceptual, Computational, and Experimental Evidence
Noah R. Fram, Jonathan Berger
Cognitive Science (2023) Vol. 47, Iss. 12
Closed Access | Times Cited: 3
Noah R. Fram, Jonathan Berger
Cognitive Science (2023) Vol. 47, Iss. 12
Closed Access | Times Cited: 3
Compound AABA Form and Style Distinction in Heavy Metal
S. Hudson
Music Theory Online (2021) Vol. 27, Iss. 1
Open Access | Times Cited: 7
S. Hudson
Music Theory Online (2021) Vol. 27, Iss. 1
Open Access | Times Cited: 7
Lorna Shore’s ‘To the Hellfire’: A study in heaviness
Jan-Peter Herbst, Mark Mynett
Metal Music Studies (2023) Vol. 9, Iss. 2, pp. 189-213
Open Access | Times Cited: 2
Jan-Peter Herbst, Mark Mynett
Metal Music Studies (2023) Vol. 9, Iss. 2, pp. 189-213
Open Access | Times Cited: 2
On Meter and the Social Dynamics of Cueing in Bill Monroe’s “Muleskinner Blues”
Nathaniel Mitchell
Music Theory Online (2024) Vol. 30, Iss. 3
Open Access
Nathaniel Mitchell
Music Theory Online (2024) Vol. 30, Iss. 3
Open Access
Song form and storytelling in mainstream metal
S. Hudson
Metal Music Studies (2023) Vol. 9, Iss. 1, pp. 7-26
Closed Access | Times Cited: 1
S. Hudson
Metal Music Studies (2023) Vol. 9, Iss. 1, pp. 7-26
Closed Access | Times Cited: 1
Female Subjectivities in the Words, Music, and Images of Progressive Metal
Lori Burns
Music Theory Online (2023) Vol. 29, Iss. 4
Open Access | Times Cited: 1
Lori Burns
Music Theory Online (2023) Vol. 29, Iss. 4
Open Access | Times Cited: 1
Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021
David Geary
Music Theory Online (2024) Vol. 30, Iss. 2
Open Access
David Geary
Music Theory Online (2024) Vol. 30, Iss. 2
Open Access
Performing Analysis, Performing Metal
Olivia R. Lucas
Music Theory Online (2021) Vol. 27, Iss. 4
Open Access | Times Cited: 3
Olivia R. Lucas
Music Theory Online (2021) Vol. 27, Iss. 4
Open Access | Times Cited: 3
Analyzing the Beat in Metrically Consonant Popular Songs
David Geary
Music Theory Online (2022) Vol. 28, Iss. 4
Open Access | Times Cited: 1
David Geary
Music Theory Online (2022) Vol. 28, Iss. 4
Open Access | Times Cited: 1
Focal Impulse Theory: Musical Expression, Meter, and the BodyEnacting Musical Time: The Bodily Experience of New Music
S. Hudson
Journal of Music Theory (2023) Vol. 67, Iss. 1, pp. 187-198
Closed Access
S. Hudson
Journal of Music Theory (2023) Vol. 67, Iss. 1, pp. 187-198
Closed Access
ANALISIS TEKNIK PERMAINAN DRUM PADA LAGU PRAHARA RUSAKING JAGAD KARYA BUNGA BANGSA
Ihsan Nur Aziz, Sandie Gunara, Febbry Cipta
Deleted Journal (2023) Vol. 3, Iss. 2, pp. 7-16
Open Access
Ihsan Nur Aziz, Sandie Gunara, Febbry Cipta
Deleted Journal (2023) Vol. 3, Iss. 2, pp. 7-16
Open Access
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”
Calder Hannan
Music Theory Online (2022) Vol. 28, Iss. 1
Open Access
Calder Hannan
Music Theory Online (2022) Vol. 28, Iss. 1
Open Access
