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OpenAlex Citation Counts

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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Creating Time: Social Collaboration in Music Improvisation
Ashley Walton, Auriel Washburn, Peter Langland‐Hassan, et al.
Topics in Cognitive Science (2017) Vol. 10, Iss. 1, pp. 95-119
Open Access | Times Cited: 87

Showing 1-25 of 87 citing articles:

Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity
Laura Bishop
Frontiers in Psychology (2018) Vol. 9
Open Access | Times Cited: 98
Musical creativity and the embodied mind
Dylan van der Schyff, Andrea Schiavio, Ashley Walton, et al.
Music & Science (2018) Vol. 1
Open Access | Times Cited: 91
Moving to Communicate, Moving to Interact
Laura Bishop, Carlos Cancino-Chacón, Werner Goebl
Music Perception An Interdisciplinary Journal (2019) Vol. 37, Iss. 1, pp. 1-25
Open Access | Times Cited: 82
How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching
Laura Malinin
Frontiers in Psychology (2019) Vol. 10
Open Access | Times Cited: 80
The Emerging Science of Interacting Minds
Thalia Wheatley, Mark Thornton, Arjen Stolk, et al.
Perspectives on Psychological Science (2023) Vol. 19, Iss. 2, pp. 355-373
Open Access | Times Cited: 24
Music as a social instrument: a brief historical and conceptual perspective
Nicholas Bannan, Alan R. Harvey
Frontiers in Cognition (2025) Vol. 4
Open Access | Times Cited: 1
Audience spontaneous entrainment during the collective enjoyment of live performances: physiological and behavioral measurements
Martina Ardizzi, Marta Calbi, Simona Tavaglione, et al.
Scientific Reports (2020) Vol. 10, Iss. 1
Open Access | Times Cited: 59
Coordination dynamics of multi-agent interaction in a musical ensemble
Shannon Proksch, Majerle Reeves, Michael J. Spivey, et al.
Scientific Reports (2022) Vol. 12, Iss. 1
Open Access | Times Cited: 31
Interpersonal synchronization of spontaneously generated body movements
Atesh Koul, Davide Ahmar, Gian Domenico Iannetti, et al.
iScience (2023) Vol. 26, Iss. 3, pp. 106104-106104
Open Access | Times Cited: 21
Social and nonlinear dynamics unite: musical group synchrony
Alexander P. Demos, Caroline Palmėr
Trends in Cognitive Sciences (2023) Vol. 27, Iss. 11, pp. 1008-1018
Closed Access | Times Cited: 18
A matter of presence: A qualitative study on teaching individual and collective music classes
Andrea Schiavio, Michele Biasutti, Dylan van der Schyff, et al.
Musicae Scientiae (2018) Vol. 24, Iss. 3, pp. 356-376
Open Access | Times Cited: 59
Processes and Experiences of Creative Cognition in Seven Western Classical Composers
Andrea Schiavio, Nikki Moran, Dylan van der Schyff, et al.
Musicae Scientiae (2020) Vol. 26, Iss. 2, pp. 303-325
Open Access | Times Cited: 43
Multilevel rhythms in multimodal communication
Wim Pouw, Shannon Proksch, Linda Drijvers, et al.
Philosophical Transactions of the Royal Society B Biological Sciences (2021) Vol. 376, Iss. 1835
Open Access | Times Cited: 40
Framing a Phenomenological Mixed Method: From Inspiration to Guidance
Kristian Moltke Martiny, Juan Toro, Simon Høffding
Frontiers in Psychology (2021) Vol. 12
Open Access | Times Cited: 34
The virtual drum circle: polyrhythmic music interactions in mixed reality
Bavo Van Kerrebroeck, K. Crombé, Stéphane M. de Leymarie, et al.
Journal of New Music Research (2024), pp. 1-21
Closed Access | Times Cited: 5
A Methodological Framework for Assessing Social Presence in Music Interactions in Virtual Reality
Bavo Van Kerrebroeck, Giusy Caruso, Pieter‐Jan Maes
Frontiers in Psychology (2021) Vol. 12
Open Access | Times Cited: 29
Emergent Shared Intentions Support Coordination During Collective Musical Improvisations
Louise Goupil, Thomas Wolf, Pierre Saint‐Germier, et al.
Cognitive Science (2021) Vol. 45, Iss. 1
Open Access | Times Cited: 27
Meaning-making and creativity in musical entrainment
Andrea Schiavio, Maria A. G. Witek, Jan Stupacher
Frontiers in Psychology (2024) Vol. 14
Open Access | Times Cited: 4
An observation of a negative effect of social cohesion on creativity in musical improvisation
Adrian Kempf, Mathias Benedek, Andrea Schiavio
Scientific Reports (2024) Vol. 14, Iss. 1
Open Access | Times Cited: 4
The role of musical aspects of language in human cognition
Barbara Pastuszek-Lipiñska
Frontiers in Psychology (2025) Vol. 16
Open Access
Amuse: Human-AI Collaborative Songwriting with Multimodal Inspirations
Yewon Kim, Sung-Ju Lee, Chris Donahue
(2025), pp. 1-28
Closed Access
What affords being creative? Opportunities for novelty in light of perception, embodied activity, and imaginative skill
Michael Kimmel, Camilla Groth
Adaptive Behavior (2023) Vol. 32, Iss. 3, pp. 225-242
Open Access | Times Cited: 10
De-sync: disruption of synchronization as a key factor in individual and collective creative processes
Julien Laroche, Asaf Bachrach, Lior Noy
BMC Neuroscience (2024) Vol. 25, Iss. 1
Open Access | Times Cited: 3
A framework for joint music making: Behavioral findings, neural processes, and computational models
Sara F. Abalde, Alison Rigby, Peter E. Keller, et al.
Neuroscience & Biobehavioral Reviews (2024) Vol. 167, pp. 105816-105816
Open Access | Times Cited: 3
Negotiating a Shared Interpretation During Piano Duo Performance
Laura Bishop, Werner Goebl
Music & Science (2020) Vol. 3
Open Access | Times Cited: 25
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