
OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!
If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.
Requested Article:
Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance
Patrik N. Juslin
Psychology of Music (2003) Vol. 31, Iss. 3, pp. 273-302
Closed Access | Times Cited: 235
Patrik N. Juslin
Psychology of Music (2003) Vol. 31, Iss. 3, pp. 273-302
Closed Access | Times Cited: 235
Showing 1-25 of 235 citing articles:
Communication of emotions in vocal expression and music performance: Different channels, same code?
Patrik N. Juslin, Petri Laukka
Psychological Bulletin (2003) Vol. 129, Iss. 5, pp. 770-814
Closed Access | Times Cited: 1678
Patrik N. Juslin, Petri Laukka
Psychological Bulletin (2003) Vol. 129, Iss. 5, pp. 770-814
Closed Access | Times Cited: 1678
Emotional responses to music: The need to consider underlying mechanisms
Patrik N. Juslin, Daniel Västfjäll
Behavioral and Brain Sciences (2008) Vol. 31, Iss. 5, pp. 559-575
Closed Access | Times Cited: 1650
Patrik N. Juslin, Daniel Västfjäll
Behavioral and Brain Sciences (2008) Vol. 31, Iss. 5, pp. 559-575
Closed Access | Times Cited: 1650
Music Performance Research at the Millennium
Alf Gabrielsson
Psychology of Music (2003) Vol. 31, Iss. 3, pp. 221-272
Closed Access | Times Cited: 284
Alf Gabrielsson
Psychology of Music (2003) Vol. 31, Iss. 3, pp. 221-272
Closed Access | Times Cited: 284
Maladaptive and adaptive emotion regulation through music: a behavioral and neuroimaging study of males and females
Emily Carlson, Suvi Saarikallio, Petri Toiviainen, et al.
Frontiers in Human Neuroscience (2015) Vol. 9
Open Access | Times Cited: 151
Emily Carlson, Suvi Saarikallio, Petri Toiviainen, et al.
Frontiers in Human Neuroscience (2015) Vol. 9
Open Access | Times Cited: 151
Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music
Julian Céspedes-Guevara, Tuomas Eerola
Frontiers in Psychology (2018) Vol. 9
Open Access | Times Cited: 126
Julian Céspedes-Guevara, Tuomas Eerola
Frontiers in Psychology (2018) Vol. 9
Open Access | Times Cited: 126
Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music
Marc R. Thompson, Geoff Luck
Musicae Scientiae (2011) Vol. 16, Iss. 1, pp. 19-40
Closed Access | Times Cited: 121
Marc R. Thompson, Geoff Luck
Musicae Scientiae (2011) Vol. 16, Iss. 1, pp. 19-40
Closed Access | Times Cited: 121
Musical Emotions Explained
Patrik N. Juslin
Oxford University Press eBooks (2019)
Closed Access | Times Cited: 97
Patrik N. Juslin
Oxford University Press eBooks (2019)
Closed Access | Times Cited: 97
Play it again with feeling: Computer feedback in musical communication of emotions.
Patrik N. Juslin, Jessika Karlsson, Erik Lindström, et al.
Journal of Experimental Psychology Applied (2006) Vol. 12, Iss. 2, pp. 79-95
Open Access | Times Cited: 114
Patrik N. Juslin, Jessika Karlsson, Erik Lindström, et al.
Journal of Experimental Psychology Applied (2006) Vol. 12, Iss. 2, pp. 79-95
Open Access | Times Cited: 114
Performers’ experienced emotions in the construction of expressive musical performance: An exploratory investigation
Anemone G. W. Van Zijl, John Sloboda
Psychology of Music (2010) Vol. 39, Iss. 2, pp. 196-219
Closed Access | Times Cited: 104
Anemone G. W. Van Zijl, John Sloboda
Psychology of Music (2010) Vol. 39, Iss. 2, pp. 196-219
Closed Access | Times Cited: 104
Musical expression: an observational study of instrumental teaching
Jessika Karlsson, Patrik N. Juslin
Psychology of Music (2008) Vol. 36, Iss. 3, pp. 309-334
Closed Access | Times Cited: 104
Jessika Karlsson, Patrik N. Juslin
Psychology of Music (2008) Vol. 36, Iss. 3, pp. 309-334
Closed Access | Times Cited: 104
Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience
Mary C. Broughton, Catherine Stevens
Psychology of Music (2008) Vol. 37, Iss. 2, pp. 137-153
Closed Access | Times Cited: 102
Mary C. Broughton, Catherine Stevens
Psychology of Music (2008) Vol. 37, Iss. 2, pp. 137-153
Closed Access | Times Cited: 102
Music and Motion—How Music-Related Ancillary Body Movements Contribute to the Experience of Music
Manfred Nusseck, Marcelo M. Wanderley
Music Perception An Interdisciplinary Journal (2009) Vol. 26, Iss. 4, pp. 335-353
Closed Access | Times Cited: 95
Manfred Nusseck, Marcelo M. Wanderley
Music Perception An Interdisciplinary Journal (2009) Vol. 26, Iss. 4, pp. 335-353
Closed Access | Times Cited: 95
Music therapy in generalized anxiety disorder
Enrique Octavio Flores Gutiérrez, Víctor Andrés Terán Camarena
The Arts in Psychotherapy (2015) Vol. 44, pp. 19-24
Closed Access | Times Cited: 74
Enrique Octavio Flores Gutiérrez, Víctor Andrés Terán Camarena
The Arts in Psychotherapy (2015) Vol. 44, pp. 19-24
Closed Access | Times Cited: 74
The contributions of compositional structure and performance expression to the communication of emotion in music
Lena Quinto, William Forde Thompson, Alan Taylor
Psychology of Music (2013) Vol. 42, Iss. 4, pp. 503-524
Closed Access | Times Cited: 72
Lena Quinto, William Forde Thompson, Alan Taylor
Psychology of Music (2013) Vol. 42, Iss. 4, pp. 503-524
Closed Access | Times Cited: 72
“But they told me it was professional”: Extrinsic factors in the evaluation of musical performance
Carolyn Kroger, Elizabeth Hellmuth Margulis
Psychology of Music (2016) Vol. 45, Iss. 1, pp. 49-64
Closed Access | Times Cited: 68
Carolyn Kroger, Elizabeth Hellmuth Margulis
Psychology of Music (2016) Vol. 45, Iss. 1, pp. 49-64
Closed Access | Times Cited: 68
Viewers' Interpretations of Film Characters' Emotions: Effects of Presenting Film Music Before or After a Character is Shown
Siu-Lan Tan, Matthew P. Spackman, Matthew A. Bezdek
Music Perception An Interdisciplinary Journal (2007) Vol. 25, Iss. 2, pp. 135-152
Closed Access | Times Cited: 99
Siu-Lan Tan, Matthew P. Spackman, Matthew A. Bezdek
Music Perception An Interdisciplinary Journal (2007) Vol. 25, Iss. 2, pp. 135-152
Closed Access | Times Cited: 99
A survey of computer systems for expressive music performance
Alexis Kirke, Eduardo Reck Miranda
ACM Computing Surveys (2009) Vol. 42, Iss. 1, pp. 1-41
Closed Access | Times Cited: 83
Alexis Kirke, Eduardo Reck Miranda
ACM Computing Surveys (2009) Vol. 42, Iss. 1, pp. 1-41
Closed Access | Times Cited: 83
Crossmodal interactions in the perception of expressivity in musical performance
Jonna K. Vuoskoski, Marc R. Thompson, Eric Clarke, et al.
Attention Perception & Psychophysics (2013) Vol. 76, Iss. 2, pp. 591-604
Closed Access | Times Cited: 71
Jonna K. Vuoskoski, Marc R. Thompson, Eric Clarke, et al.
Attention Perception & Psychophysics (2013) Vol. 76, Iss. 2, pp. 591-604
Closed Access | Times Cited: 71
The role of emotional skills in music education
Emilia–Ángeles Campayo–Muñoz, Alberto Cabedo–Mas
British Journal of Music Education (2017) Vol. 34, Iss. 3, pp. 243-258
Closed Access | Times Cited: 50
Emilia–Ángeles Campayo–Muñoz, Alberto Cabedo–Mas
British Journal of Music Education (2017) Vol. 34, Iss. 3, pp. 243-258
Closed Access | Times Cited: 50
Music Self-Efficacy for Performance: An Explanatory Model Based on Social Support
Francisco Javier Zarza Alzugaray, Óscar Casanova, Gary E. McPherson, et al.
Frontiers in Psychology (2020) Vol. 11
Open Access | Times Cited: 42
Francisco Javier Zarza Alzugaray, Óscar Casanova, Gary E. McPherson, et al.
Frontiers in Psychology (2020) Vol. 11
Open Access | Times Cited: 42
Compensatory Plasticity in the Deaf Brain: Effects on Perception of Music
Arla Good, Maureen G. Reed, Frank Russo
Brain Sciences (2014) Vol. 4, Iss. 4, pp. 560-574
Open Access | Times Cited: 47
Arla Good, Maureen G. Reed, Frank Russo
Brain Sciences (2014) Vol. 4, Iss. 4, pp. 560-574
Open Access | Times Cited: 47
The performer’s experience: A case for using qualitative (phenomenological) methodologies in music performance research
Patricia Holmes, Christopher Holmes
Musicae Scientiae (2013) Vol. 17, Iss. 1, pp. 72-85
Closed Access | Times Cited: 45
Patricia Holmes, Christopher Holmes
Musicae Scientiae (2013) Vol. 17, Iss. 1, pp. 72-85
Closed Access | Times Cited: 45
Decoding emotions in expressive music performances: A multi-lab replication and extension study
Jessica Akkermans, Renee Schapiro, Daniel Müllensiefen, et al.
Cognition & Emotion (2018) Vol. 33, Iss. 6, pp. 1099-1118
Open Access | Times Cited: 45
Jessica Akkermans, Renee Schapiro, Daniel Müllensiefen, et al.
Cognition & Emotion (2018) Vol. 33, Iss. 6, pp. 1099-1118
Open Access | Times Cited: 45
Instrumental teachers’ instructional strategies for facilitating children’s learning of expressive music performance: An exploratory study
Henrique Meissner
International Journal of Music Education (2016) Vol. 35, Iss. 1, pp. 118-135
Open Access | Times Cited: 42
Henrique Meissner
International Journal of Music Education (2016) Vol. 35, Iss. 1, pp. 118-135
Open Access | Times Cited: 42