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OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!

If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.

Requested Article:

Current trends in the study of music and emotion: Overture
Patrik N. Juslin, Marcel Zentner
Musicae Scientiae (2001) Vol. 5, Iss. 1_suppl, pp. 3-21
Closed Access | Times Cited: 87

Showing 1-25 of 87 citing articles:

Communication of emotions in vocal expression and music performance: Different channels, same code?
Patrik N. Juslin, Petri Laukka
Psychological Bulletin (2003) Vol. 129, Iss. 5, pp. 770-814
Closed Access | Times Cited: 1678
Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening
Patrik N. Juslin, Petri Laukka
Journal of New Music Research (2004) Vol. 33, Iss. 3, pp. 217-238
Closed Access | Times Cited: 1010
From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions
Patrik N. Juslin
Physics of Life Reviews (2013) Vol. 10, Iss. 3, pp. 235-266
Open Access | Times Cited: 624
Which Emotions Can be Induced by Music? What Are the Underlying Mechanisms? And How Can We Measure Them?
Klaus R. Scherer
Journal of New Music Research (2004) Vol. 33, Iss. 3, pp. 239-251
Open Access | Times Cited: 444
Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance
Patrik N. Juslin
Psychology of Music (2003) Vol. 31, Iss. 3, pp. 273-302
Closed Access | Times Cited: 235
Exemplar effects in categorization and multiple-cue judgment.
Peter Juslin, Henrik Olsson, Anna-Carin Olsson
Journal of Experimental Psychology General (2003) Vol. 132, Iss. 1, pp. 133-156
Closed Access | Times Cited: 219
Does music induce emotion? A theoretical and methodological analysis.
Vladimir J. Konečni
Psychology of Aesthetics Creativity and the Arts (2008) Vol. 2, Iss. 2, pp. 115-129
Closed Access | Times Cited: 208
From Sound to Significance: Exploring the Mechanisms Underlying Emotional Reactions to Music
Patrik N. Juslin, Gonçalo Barradas, Tuomas Eerola
The American Journal of Psychology (2015) Vol. 128, Iss. 3, pp. 281-304
Open Access | Times Cited: 127
Music and emotion: seven questions, seven answers
Patrik N. Juslin
Oxford University Press eBooks (2011), pp. 113-136
Closed Access | Times Cited: 115
Musical Emotions Explained
Patrik N. Juslin
Oxford University Press eBooks (2019)
Closed Access | Times Cited: 97
THE INTERNATIONAL JOURNAL OF HUMANITIES & SOCIAL STUDIES
Kun Setyaning Astuti, S. Pd. Anarbuka K U K U H Prabawa
Journal of Humanities and Social Studies (2021)
Closed Access | Times Cited: 84
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity
Erik Lindström, Patrik N. Juslin, Roberto Bresin, et al.
Research Studies in Music Education (2003) Vol. 20, Iss. 1, pp. 23-47
Closed Access | Times Cited: 161
Is Recognition of Emotion in Music Performance an Aspect of Emotional Intelligence?
Joel E. Resnicow, Peter Salovey, Bruno H. Repp
Music Perception An Interdisciplinary Journal (2004) Vol. 22, Iss. 1, pp. 145-158
Closed Access | Times Cited: 147
Emotional reactions to music in a nationally representative sample of Swedish adults
Patrik N. Juslin, Simon Liljeström, Petri Laukka, et al.
Musicae Scientiae (2011) Vol. 15, Iss. 2, pp. 174-207
Closed Access | Times Cited: 94
Corporeality, Musical Heartbeats, and Cinematic Emotion
Ben Winters
Music Sound and the Moving Image (2008) Vol. 2, Iss. 1, pp. 3-25
Closed Access | Times Cited: 70
Comparative effects of music and recalled life-events on emotional state
Vladimir J. Konečni, Amber Brown, Rebekah A. Wanic
Psychology of Music (2007) Vol. 36, Iss. 3, pp. 289-308
Closed Access | Times Cited: 67
How does Music Arouse Emotions?
Patrik N. Juslin
Oxford University Press eBooks (2019), pp. 247-264
Closed Access | Times Cited: 38
Effects of individual factors on perceived emotion and felt emotion of music: Based on machine learning methods
Liang Xu, Xin Wen, Jiaming Shi, et al.
Psychology of Music (2020) Vol. 49, Iss. 5, pp. 1069-1087
Closed Access | Times Cited: 38
The Role of Peripheral Feedback in Emotional Experience With Music
Nicola Dibben
Music Perception An Interdisciplinary Journal (2004) Vol. 22, Iss. 1, pp. 79-115
Closed Access | Times Cited: 69
Music and Emotion—A Case for North Indian Classical Music
Jeffrey M. Valla, Jacob A. Alappatt, Avantika Mathur, et al.
Frontiers in Psychology (2017) Vol. 8
Open Access | Times Cited: 35
Toward a Developmental Psychology of Music
Sandra E. Trehub
Annals of the New York Academy of Sciences (2003) Vol. 999, Iss. 1, pp. 402-413
Closed Access | Times Cited: 53
Cochlear implant users rely on tempo rather than on pitch information during perception of musical emotion
Meredith Caldwell, Summer K. Rankin, Patpong Jiradejvong, et al.
Cochlear Implants International (2015) Vol. 16, Iss. sup3, pp. S114-S120
Closed Access | Times Cited: 27
Communicating expressive intentions with a single piano note
Filippo Bonini Baraldi, Giovanni De Poli, Antonio Rodà
Journal of New Music Research (2006) Vol. 35, Iss. 3, pp. 197-210
Closed Access | Times Cited: 30
Music and emotion
Alexandra Lamont, Tuomas Eerola
Musicae Scientiae (2011) Vol. 15, Iss. 2, pp. 139-145
Closed Access | Times Cited: 23
Cultural differences in the use of acoustic cues for musical emotion experience
Vishal Midya, Jeffrey M. Valla, Hymavathy Balasubramanian, et al.
PLoS ONE (2019) Vol. 14, Iss. 9, pp. e0222380-e0222380
Open Access | Times Cited: 18
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