OpenAlex is a bibliographic catalogue of scientific papers, authors and institutions accessible in open access mode, named after the Library of Alexandria. It's citation coverage is excellent and I hope you will find utility in this listing of citing articles!
If you click the article title, you'll navigate to the article, as listed in CrossRef. If you click the Open Access links, you'll navigate to the "best Open Access location". Clicking the citation count will open this listing for that article. Lastly at the bottom of the page, you'll find basic pagination options.
Requested Article:
'Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon
Michael Baldock, Nicolaas Pickard, Michael J. Prince, et al.
Routledge eBooks (2017)
Closed Access | Times Cited: 11
Michael Baldock, Nicolaas Pickard, Michael J. Prince, et al.
Routledge eBooks (2017)
Closed Access | Times Cited: 11
Showing 11 citing articles:
A many-headed beast: progressive rock as European meta-genre
Chris Anderton
Popular Music (2010) Vol. 29, Iss. 3, pp. 417-435
Closed Access | Times Cited: 29
Chris Anderton
Popular Music (2010) Vol. 29, Iss. 3, pp. 417-435
Closed Access | Times Cited: 29
It’s My Party
Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt
Contemporary East Asian visual cultures, societies and politics (2024)
Closed Access | Times Cited: 2
Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt
Contemporary East Asian visual cultures, societies and politics (2024)
Closed Access | Times Cited: 2
After the Storm: Hipgnosis, Storm Thorgerson, and the Rock Album Cover
Mike Alleyne
Rock Music Studies (2014) Vol. 1, Iss. 3, pp. 251-267
Closed Access | Times Cited: 5
Mike Alleyne
Rock Music Studies (2014) Vol. 1, Iss. 3, pp. 251-267
Closed Access | Times Cited: 5
Globalization and commercialization of Caribbean music
Mike Alleyne
Popular Music History (2009) Vol. 3, Iss. 3, pp. 247-273
Closed Access | Times Cited: 5
Mike Alleyne
Popular Music History (2009) Vol. 3, Iss. 3, pp. 247-273
Closed Access | Times Cited: 5
Diatonic and Chromatic Tonicization in Rock Music
Brett Clement
Journal of Music Theory (2019) Vol. 63, Iss. 1, pp. 1-34
Closed Access | Times Cited: 5
Brett Clement
Journal of Music Theory (2019) Vol. 63, Iss. 1, pp. 1-34
Closed Access | Times Cited: 5
1 + 1 = ?
Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt
Contemporary East Asian visual cultures, societies and politics (2024), pp. 165-195
Closed Access
Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt
Contemporary East Asian visual cultures, societies and politics (2024), pp. 165-195
Closed Access
Rocking the Culture Industry/Performing Breakdown: Pink Floyd'sThe Walland the Termination of the Postwar Era
Zeno Ackermann
Popular Music & Society (2012) Vol. 35, Iss. 1, pp. 1-23
Closed Access | Times Cited: 2
Zeno Ackermann
Popular Music & Society (2012) Vol. 35, Iss. 1, pp. 1-23
Closed Access | Times Cited: 2
“The Shadow of Yesterday’s Triumph”: Pink Floyd’s “Shine On” and the Stage Theory of Grief
Gilad Cohen
Music Theory Spectrum (2018) Vol. 40, Iss. 1, pp. 106-120
Closed Access | Times Cited: 2
Gilad Cohen
Music Theory Spectrum (2018) Vol. 40, Iss. 1, pp. 106-120
Closed Access | Times Cited: 2
Brian Wilson’s Song Cycles
Philip Lambert
Rock Music Studies (2021) Vol. 8, Iss. 3, pp. 215-243
Closed Access | Times Cited: 1
Philip Lambert
Rock Music Studies (2021) Vol. 8, Iss. 3, pp. 215-243
Closed Access | Times Cited: 1
“Re- Arrange Me ’Til I’m Sane”: Utopian and Spiritual Experience, EncounteringThe Dark Side of the Moon
Kimberley Jane Anderson
Rock Music Studies (2019) Vol. 7, Iss. 1, pp. 82-94
Closed Access
Kimberley Jane Anderson
Rock Music Studies (2019) Vol. 7, Iss. 1, pp. 82-94
Closed Access
The Odyssean Masculinities of Steely Dan’sAja
Donald E. Lavigne
Rock Music Studies (2022) Vol. 9, Iss. 3, pp. 287-308
Closed Access
Donald E. Lavigne
Rock Music Studies (2022) Vol. 9, Iss. 3, pp. 287-308
Closed Access
